Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Friday, April 8, 2011

Review: The Dispossessed by Ursula Le Guin

The Dispossessed is a murmuring tale whose circular, interwoven structure echoes Shevek’s paradigm-shifting research into temporal physics while examining the moral consequences of two interlocked societies, one capitalist, the other communist.

The setting is the twin worlds of Urras and Anarres, each of which looms in the sky as the other’s moon; a symbolical relationship. Urras, a land of abundant resources and beauty, is the homeworld. Anarres, in contrast, is a dry, geographically dull, inhospitable place whose people work hard to survive.

Shevek is a brilliant theoretical physicist born on Anarres, which was colonized by the followers of Odo who abandoned Urras many centuries ago to found their own revolutionary anarchic society on Anarres. The reader is initially perplexed by the structure of the book, which alternates chapters form Shevek’s early life with chapters from his later life, written as if they were happening in the present time, telling parallel stories of this one man’s origins and later development. After a few such chapters the reader grasps the format and climbs happily onboard, and soon glimpses the rationale for this structure, as Shevek lays the mathematical groundwork for understanding the non-linearity of time, and thus proving the feasibility of time travel. His intellectual passion leads him toward political heresy in both Anarres, and later, Urras. Finally, he performs the first act in bringing Urras and Anarres together, collapsing their distance as his tale arrives full circle, at his simultaneous departure and arrival.

Saturday, July 10, 2010

Margaret Atwood and Science Fiction and Space Opera

Over at TJ's Dreams and Speculation fiction review blog, I was surprised to learn that Margaret Atwood had denied that her books The Handmaid's Tale or Oryx and Crake were science fiction, saying "science fiction has monsters and spaceships; speculative fiction could really happen." According to Wikipedia she has since refined her objection, and described her work as social science fiction.

It made me think that she actually had in mind the sub-genre known as "Space Opera", which is light on the science, and heavy on the interpersonal and situational drama. Not that they can't go together.

Space opera on TV is the topic over at Dreams and Speculation.